Vinyl has physical limitations that don’t apply to streaming. Mixing for vinyl means understanding those limits before the cutting engineer encounters them — and avoiding costly revisions.
Mono compatibility is not a vintage concern. Club systems, phone speakers, and smart home devices all collapse stereo to mono. Here’s how to mix so your music survives the collapse.
Wide stereo bass sounds impressive in the studio. But in mono — on a phone, in a club, on a TV — it can disappear completely. Here’s what to do instead.